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Hong Kong filmmakers have tried — and largely failed — to duplicate the success of "Crouching Tiger, Hidden Dragon," so more appear to be looking to thriving film industries in Japan and South Korea for inspiration. The Donnie Yen vehicle "Special ID" supplies the proof.
Now in his late 60s, Los Angeles artist Timothy Washington is enjoying his first solo museum exhibition. Associated with the 1960s assemblage movement in South L.A., Washington is a contemporary of David Hammons, Betye Saar, John Outterbridge and Noah Purifoy, but has never quite achieved the same level of recognition.